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Driving from Mexico to rehearsals in Culver City, he picked up a white Stetson in Durango, fell in love with it, and decided it was perfect for Budd. Madsen kind of got his own way when he reunited with Tarantino to play Budd, Kill Bill’s corrupt moral compass. "He sat there very patiently, and at the end he says, 'No, no, no, no, no, you’re Mr. Pink ("Because he had more scenes with Harvey, and he gets away at the end.") It was the last part to be cast, so he convinced Tarantino to let him audition. Blonde, he was gunning for the part of Mr. There's a different world where Madsen never had his seminal scene slicing off Kirk Baltz's ear. Michael Madsen in Budd's infamous white hat from 'Kill Bill'" White, I was like, oh my god, I really want to do this picture." He did better than just work with him: Keitel is now godfather to Madsen's son Max. "But I so enjoyed working with him, and when I heard he was going to play Mr. The pair previously acted together in Thelma and Louise, "but my best scenes with Harvey were cut out of the film," said Madsen. The real clincher on joining the pack was the chance to work with Harvey Keitel.
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If I’d have listened to them, I wouldn’t have done that movie.” “When I first got Reservoir Dogs, there were people who told me, it’s a first-time director, that I shouldn’t do the movie, that nobody was getting paid, everybody was getting scale for it, and it was less than a million dollar budget. It was tough times on a film that was already a gamble for Madsen. The shot that they do of us listening and getting our names, he wasn’t even there." "Eventually, none of us were even fucking there. Every time he broke character, Tarantino called cut, and the actors drifted away. They got into a fight in a pancake house, and me and Harvey had to separate them because they were doing wild windmill swings at each other." On set, when Tierney wasn’t borrowing cash from his fellow actors, he was yelling at them to sit still and quit disturbing him. He would get into these big arguments with Quentin. Madsen said, " was having so much of a problem with dialogue, and he was having so many problems with his monologue, and he didn’t know who really was who." Tierney was an old school bruiser with a short fuse. Two decades after its first release, Quentin Tarantino’s whipsmart debut returns to screens internationally for one night only, with that troubled scene in place. Blonde from Reservoir Dogs, but in the back room of the Midnight Cowboy cocktail lounge, it's clear: He is one of the last of the warrior poets.
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He may be most famous as the razor-wielding Mr. Madsen's voice rumbles like a Harley on old black top, his thick silver rings clicking against each other like desert-bleached bones. It may have been getting veteran actor Lawrence Tierney through his big scene, where gangster Joe Cabot gives his jewelry heist crew their nicknames.
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Not the famous ear-slicing scene, improvised in four takes. If I’d have listened to them, I wouldn’t have done that movie."Īsk Michael Madsen about the toughest part of filming Reservoir Dogs, and it wasn’t the low budget – he’s used to that. "There were people who told me, it’s a first-time director, that I shouldn’t do, that nobody was getting paid, everybody was getting scale for it, and it was less than a million dollar budget.